Pam Tillis (born July 24, 1957 in Plant City, Florida) is an American country music singer and actress.
The Early Years: 1957 – 1983
The daughter of singer Mel Tillis, she grew up in Nashville, TN surrounded by music. At age eight, she sang on the Grand Ole Opry.Tillis got her musical start out in Los Angeles, releasing a pop single in 1981 for Elektra Records, “Every Home Should Have One”, that failed to chart. The single, along with its flip side, “Holding On To What Is Gone”, have never been reissued.
Tillis took another shot at pop stardom with her first (and only) album for Warner Bros. Above and Beyond the Doll of
Cutey was released in 1983. The first single, “Killer Comfort”, was backed with album track “(You Just Want To Be) Weird”; Tillis issued a promotional music video clip that featured scenes of her with various dolls, and her posing for the album cover. Both “Killer Comfort” and its follow-up single “Love Is Sneakin’ Up On You” failed to chart. The album has been out of print for two decades, but cut-out copies can be found fairly easily in Nashville.
The WB Nashville Years: 1984 – 1987
After failing to connect with the pop audience, Tillis regrouped and returned to Nashville. In 1984, she began making regular appearances on Nashville Now, the TNN Variety Show hosted by Ralph Emery. Tillis was transferred from the pop division of Warner Bros. records to the Nashville country division, and she began a four-year period of releasing low-charting singles while simultaneously finding success as a songwriter.
Tillis had already received cuts as writer by dance artist Gloria Gaynor (“When You Get Around To It”) and Chaka Khan recorded “So Close” in 1986. Tillis began making great headway as a writer during this period. Before the eighties decade closed out, she would score cuts with Janie Fricke, Highway 101, Conway Twitty, Chaka Khan, Suzy Bogguss, Dan Seals and Juice Newton.
Tillis had less success getting her own recording career off the ground. Warner Bros. issued several singles that all stalled in the lower regions of the chart. Her biggest hit of this period was “Those Memories Of You” in 1986, which reached #55. The following year, it was a top five hit for Dolly Parton, Linda Ronstadt & Emmylou Harris. Four other singles peaked lower, and “One Of Those Things”, which would become a big hit for Tillis in the early nineties, failed to chart at all. In an attempt to capitalize on Tillis’ huge success for Arista, Warner Bros. issued Pam Tillis Collection in 1994, which featured all five of her chart hits for the label, and pre-hit recordings of “Maybe It Was Memphis”, “One of Those Things” and “Five Minutes”, the last of which was a #1 smash for Lorrie Morgan in 1990.
Warner Bros. released Tillis from her contract in 1987. While continuing to find great success as a writer, Tillis raised her profile in Nashville by spearheading “Twang Night” at Twelfth and Porter in Nashville and by appearing in a local production of Jesus Christ Superstar, playing the role of Mary Magdalene to critical acclaim.Another positive step forward was Pam’s participation in “Women In The Round”, a regular songwriter’s night at Nashville’s famed Bluebird Cafe. Along with Ashley Cleveland, Tricia Walker and Karen Staley, Tillis sang her own compositions; she also hosted the events, which grew in popularity over the course of 1989 and into 1990. After meeting and signing with manager Mike Robertson, Tillis used her local exposure and songwriting talents to land a major label deal with Arista Records. The legendary company had just opened their Nashville offices, and signed Tillis to become their flagship female artist.
The Arista Years: 1990 – 2001
Tillis recorded her Arista debut with producers Paul Worley & Ed Seay at the helm. The duo had great success producing Highway 101 in the late eighties and would go on to produce Martina McBride and the Dixie Chicks. Tillis wrote seven tracks on the album, including the title cut, “Put Yourself In My Place.” Clearly energized and boasting a new confidence, Tillis wrote in the liner notes: “First, I’d like to thank ahead of time, everyone responsible for making this my first Gold album…But seriously, that’s how much I believe in my team. Talk about a new start!”
Tillis may have been jesting, but her prediction proved prophetic, as the project quickly took off. The lead single, “Don’t Tell Me What To Do”, was written by Max D. Barnes and Harlan Howard. It was originally recorded by Marty Stuart’s “I’ll Love You Forever (If I Want To)” in 1988. Stuart never issued it as a single. Tillis had a huge hit right out of the gate. “Don’t Tell Me What To Do” topped the Radio & Records singles chart and reached #5 on the Billboard chart. Tillis shot a video for the song that featured her in various Nashville haunts, performing at a diner with son Ben drinking a shake in the background, and browsing the Mel Tillis section at Phonoluxe Records while eyeing her former lover.
Arista chose the Tillis-penned “One Of Those Things” as the next single. Co-written with eighties hitmaker Paul Overstreet, she had released it as a single in 1985 for Warner Bros., but that eary version failed to chart. Janie Fricke had also covered the song on her 1989 album Labor of Love. This time out, the song was a hit, reaching #6 on the Billboard country chart.
Arista serviced the title track to radio stations next, which would eventually reach #11. Tillis performed the song on the 1991 CMA Awards, where she was nominated for Single of the Year (“Don’t Tell Me What To Do”) and the Horizon Award. By that time, album sales had cooled off, but Arista had an ace up their sleeve.
Tillis had first heard “Maybe It Was Memphis” years ago, and had been performing it for years. When she first heard the playback during the Arista sessions, she cried. The label knew it had a huge hit on its hands, but held off on releasing the pop-flavored track until Tillis was clearly established at radio. Once released, the song took off like a rocket. It reached #3 on the singles chart, but more importantly, it revitalized the album, pushing it into the top ten of the country albums chart and pushing it well past gold in sales. Arista even serviced the single to pop radio stations, a rarity in the early nineties. The torrid hit became her signature song.The strength of “Memphis” encouraged Arista to pull a fifth single from the project. The honky-tonk “Blue Rose Is” reached #21 in the spring of 1992, as Tillis was putting the finishing touches on her next album. The song was co-written with her husband, Bob DiPiero, who she married on Valentine’s Day of 1991.
AccomplishmentsPam Tillis has had thirteen top ten hits on the country music charts and in 1994 was named the Country Music Association “Female Vocalist of the Year.” In 1999, she earned a Grammy Award for Best Country Collaboration with Vocals.
Billboard Country Hits
Her Billboard Country Hits are:
* “Goodbye Highway” (#71, 1984)
* “Those Memories Of You” (#55, 1986)
* “I Thought I’d About Had It With Love” (#67, 1986)
* “I Wish She Wouldn’t Treat You That Way” (#68, 1987)
* “There Goes My Love” (#71, 1987)
* “Don’t Tell Me What to Do” (#5, 1990)
* “One of Those Things” (#6, 1991)
* “Put Yourself In My Place” (#11, 1991)
* “Maybe It Was Memphis” (#3, 1991)
* “Blue Rose Is” (#21, 1992)
* “Shake the Sugar Tree” (#3, 1992)
* “Let That Pony Run” (#4, 1992)
* “Romeo” (#27, 1993) (Dolly Partonhit featuring Tillis
* “Cleopatra, Queen Of Denial” (#11, 1993)
* “Do You Know Where Your Man Is” (#16, 1993)
* “Spilled Perfume” (#5, 1994)
* “When You Walk in the Room” (#2, 1994) a remake of the Jackie DeShannonclassic
* “Mi Vida Loca (My Crazy Life)” (#1, 1994)
* “I Was Blown Away” (#16, 1995)
* “In Between Dances” (#3, 1995)
* “Deep Down” (#6, 1995)
* “The River and the Highway” (#8, 1996)
* “It’s Lonely Out There” (#14, 1996)
* “Betty’s Got A Bass Boat” (#62, 1996)
* “All the Good Ones Are Gone” (#4, 1997)
* “Land of the Living” (#5, 1997)
* “I Said A Prayer” (#12, 1998)
* “Every Time” (#38, 1998)
* “After A Kiss” (#50, 1999) from the film [[Happy, Texas]]
* “Please” (#22, 2002)
Grand Ole Opry
In 2000, Pam became a member of the Grand Ole Opry. Pam also appeared on the Opry’s 75th Birthday special on CBS, performing an original song she wrote as a tribute to Minnie Pearl called “Two Dollar Hat”.[edit]
Theater
As well as singing, she has acted in guest spots on television and on stage in the Tennessee Repertory production of “Jesus Christ Superstar” and on Broadway in “Smokey Joe’s Café” that ran from 1995 to 2000.[edit]
Discography
* Above and Beyond the Doll of Cutey (1983)
* Put Yourself in My Place (1991) Gold
* Homeward Looking Angel (1992) Platinum
* Sweetheart’s Dance (1994) Platinum
* All of This Love (1995) Gold
* Greatest Hits (1997) Platinum
* Every Time (1998)
* Thunder and Roses (2001)
* It’s All Relative: Tillis Sings Tillis (2002)
* Just In Time For Christmas (2005)
* Live (2006)
Trivia
Tillis is a member of the Nashville political organization Music City Democrats, which focuses on counteracting country music’s popular image as a conservative, Republican-aligned musical genre.
Source: Pam Tillis. (2006, August 17). In Wikipedia, The Free Encyclopedia. Retrieved 17:57, August 30, 2006.
1 comment
Jerry Chapman
In 1984 (if I recall that year correctly) I was in the audience at the “Ralph Emery Show” when Pam made her first television debut performance ever. Her father performed first and was then interviewed by Ralph Emery. Mel was classic “Mel Tillis” delivering his wit in his stumbling style. I will never forget Mel telling a story of how when Pam was only a few months old Mel laid on his back on the floor and lifted Pam in outstretch arms above his head and face in playful fun. At the very moment Pam was standing behind a curtain only seconds from making her daubed. She had to be feeling all sorts of butterflies with anticipation. At that moment Mel peaks with his story about Pam above his face, telling the whole world how Pam laughed so hard she peed in his mouth. At that moment Ralph Emory turned and cued the introduction of Pam’s debut. I could not imagine what Pam must have felt at that moment. All I can say is when the curtain open Pam was beautiful, beaming with her contagious smile, and she showed no sign of shock for what her father just did to her. Instead, Pam remained calm, professional, and then nailed an incredible performance that I will never forget and ever since I have been a “Pam Tillis” fan. Great job Pam!